When I put the phone down I spent the first minute thinking it was right to say no. In 2007 too, Tosca was the role in which Opolais made her Greek National Opera debut. So the soprano decided that Adriana would remain in Riga to understand what it is to live in one place. But being so used to being on the move, Opolais struggled with not being able to perform regularly. I had to roll around in water in a very thin nightdress, it was a challenge (laughs). And to top things off, in her private life she just didnt feel she was able to give her fullest both artistically and as a mother for Adriana, who will turn seven at the end of December 2018. I have built my career stepping in, but the most terrifying was at the Metropolitan Opera. Our personal reactions are very unique to who we are, so my performance and reactions should be different to another singer and vice versa. When she gets the news that her son is dead, she should probably die right there. Achievements continued to stack up. But then it was like my mind started talking to me, saying Kristine, when have you ever been so pragmatic?. She needs to start her life.. For her to live in suitcases and have no friends and no real home, its cruel. The other side to her is that shes strong and some productions miss the opportunity to bring her complete role to the stage. The soprano noted that she had been struggling with some physical issues for years but had not paid much attention to it until this point. If people tell me I cant, I try and find the way to do it anyway, she stated. All rights reserved. When shes done right, shes an extremely sexy and sensitive heroine. When you give birth, you dont really understand what is happening, she noted, adding that she thought the best was just to have her daughter with her all the time. Senza mamma is Angelica out of her mind. Ive definitely evolved. Then she went on tour with the Gewandhausorchester Leipzig, also under Nelsons. From the moment I got into the opera chorus, I was almost living there-I went home just to sleep. It is mandatory to procure user consent prior to running these cookies on your website. One might imagine that an international star like Opolais would be able to find a plethora of opportunities in Eastern Europe or specifically in Latvia to perform, but the soprano noted that it becomes increasingly difficult for her to dedicate herself to her art in her home country. I had been partying with colleagues after the production (laughs), there was no way I could do it! In this honest and humble interview with. Now, she could not look away. We talked over coffee and some tiny cakes. She needs to start her life.. Im no longer me and the audience isnt there. Nelsons will conduct while Opolais reprises Tchaikovsky's opus with the Boston Symphony Orchestra from April 21 through 23. Even so, she tired quickly, singing the whole last act. "I started to lose voice power, presence, colors, everything," she revealed. Praised for his "vocally magnificent, radiant and distinctive tenor" (Opera Aktuell), this season Jonathan Tetelman signed an exclusive multi album agreement with leading record label Deutsche Grammophon and has released his debut album 'ARIAS'. I have a suitcase of emotions to choose from and an abundance of life skills. Though she\d only sung part of the role of Rusalka before, the range of vocal colours it offered made it irresistible; but accepting was a gamble since she was due to make her debut in New York as Musetta. After all, this is an artist who decided to drop out of the conservatory despite being told repeatedly that she would never have an opera career if she didnt finish her studies. Tosca is almost defined by her jealousy and she has every right to be. When I get home, I try to just be there for my daughter. Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more. Opolais, despite her glamorous demeanor, captures the fragility of a simple girl captivated by Rodolfo, but destined to succumb to "consumption" (as tuberculosis was known then). I couldnt focus my brain on the arts because of divorce, heath issues and chronic tiredness, and also my daughter was going to school and I didnt really have time for my art. The birth of their daughter Adriana that December marked another joyous milestone. Now Im strong enough to say no. Kristine Opolais' spectacular debut in the title role of the new Munich Rusalka may have catapulted her to stardom in the opera world overnight, and one would be hard put to overlook the fact that she is tall and gorgeous, but her easy and entirely unassuming manner convey more of a girl-from-next-door impression. Opolais was so excited about it that she stayed up until five the next morning. When Im in love Im extremely jealous and when Im not, I couldnt care less. At the start, Angelica is most challenging because it doesnt really give you time to warm up your voice before you are asked to give it all. Privacy & Cookie Policy. Latvian Artist On Regaining Her Artistic Identity, Motherhood, & Puccini. When people ask me how it\s possible that I sang Aida or Tosca at that stage in my career, I have no idea. Kristine Opolais (n. 12 noiembrie 1979 , [1] Rzekne , Republica Sovietic Socialist Leton , URSS [2] ) [3] este o sopran de oper leton. Opolais phrased In quelle trine morbide with aching beauty and throughout the evening scaled her voice up with glowing tone or reduced it to a silvery thread as required. When Opolais sang the filmed version of the opera, critics raved about the soprano's take on the iconic diva noting "Opolais sings rather well, she declaims beautifully and above all she breaks out of the by now stale clich of the great tragedian attached 'full time' to the curtains. I was kind of crazy, but this was obsession in a good way.\. Shes very sensitive. A few years ago, Opolais found her approach being increasingly questioned and a lot of advice was given to her to sit back, restrain her instincts, and focus only on singing., I started to lose voice power, presence, colors, everything, she revealed. These cookies do not store any personal information. Kristne Opolais. Latvian soprano Kristine Opolais, who has sung the title role at Covent Garden, played the young temptress whose brother (baritone Massimo Cavaletti) is packing her off to a convent. Eugene Onegin is one of my favorite operas. She had to do it her way. WHAT HAPPENS IF YOU CANT RELATE TO A CHARACTER? Kristine Opolais "Ms. Opolais seemed to live with it, growing in stature as the evening went on and radiating the kind of aura - one that demands you watch her, and sympathize with her - that defines a star She is a performer with a tremendous future ahead of her. "Vocal cords start to tire after two hours. People just wanted me to sing and thats it. Being the daughter of Andris Nelsons and Kristine Opolais, she has to be sensitive. It shouldnt only be about that. Every artist needs to go through difficult times. I feel like nothing can go wrong so I can completely let go and bring my character alive. I only want to give my best, and I love my profession, but I also need silence. Honig worked on channelling Opolais\s naturally dramatic instincts-roles she\d sung before now felt very different and Opolais\s gratitude to her teacher is immense. Today, I walk on stage and I completely transport into the character. The soprano noted that when she ends the performance, she feels exhausted emotionally, but vocally she is ready to continue. I then thought about the good reputation I had at The Met, which I had worked so hard to build. Opolais\s maternal grandfather was Greek, so the occasion meant much at a personal level, and Athens was a reminder that a Maria Callas video given to Opolais when she was younger had been a galvanizing influence. Im an actress first and the voice follows. The role is often noted as a mini-Butterfly, as both Angelica and the heroine of Puccinis Madama Butterfly are made to suffer for the love they have for their children and ultimately commit suicide. During his time at Fordham, he studied abroad at the Jagiellonian University in Poland. at the Bayerische Staatsoper. I have built my career stepping in, but the most terrifying was at the Metropolitan Opera. At home, I am a mother, a daughter. Opolais noted that she felt this way because of her own personal experience of seeing her daughter living a better life despite the two being apart for some time periods. He also holds a dual bachelors from Hofstra University in Film Production and Journalism. VAN: In Leipzig from May 18 to 21, you're singing a concert program with Andris Nelsons and the Gewandhausorchester. The 52-year-old said he spent two weeks working from nine in the morning until nine in the evening to learn the lead male role which he sings opposite Latvian soprano Kristine Opolais. Not knowing the production, she was walked through it, and went on to give another searing performance. Kristine Opolais at Carnegie Hall last year. MADAMA BUTTERFLY was never my favorite Puccini until the . @ToccataMusicGrp, New month, more archive: revisit our profile of the great Christa Ludwig in March 1973. Prior to creating OperaWire, DAVID SALAZAR, (Editor-in-Chief) worked as a reporter for Latin Post where he interviewed major opera stars including Placido Domingo, Anna Netrebko, Vittorio Grigolo, Diana Damrau and Rolando Villazon among others. She appears as Tosca at the Vienna State Opera in January followed by performances of the opera at the Royal Opera House in the Spring. The Editor noted the electricity generated by the starry leads [] Here Covent Garden struck gold. During Adrianas early years, the soprano had taken her daughter everywhere she could. Kristine Opolais Net Worth. Her process comes down to immersing herself fully in a character and then just living the experience onstage, with warts and all. If I have to say something nasty with bad energy, then that cannot be beautiful. Concert (Konzert), Various Concert/recital/oratorio. Opolais\s interpretations draw primarily on her imagination, but sometimes on her own experience. Its hard to be so-so everywhere so I wanted to give myself time to recover psychologically.. I have a suitcase of emotions to choose from and an abundance of life skills. WHERE DOES YOUR HEAD GO WHEN YOU PERFORM? If I work at home, people tell me to take it easy. "Vocal cords start to tire after two hours. One time I showed her a video a YouTube of me performing and she started to cry, Opolais revealed. After. At the back of her mind was the memory of her first teacher\s remark to her mother that she had possibilities\ but was nothing special\; but then private training with a vocal coach restored her confidence, the chorus beckoned and she was accepted. I feel very well how to build the character of Tosca on stage! When Rene said that to me it was an incredible moment because she is the best and most definitive Rusalka. I need to feel the pain to then understand the problem. Shes talking to the baby., The soprano has often been associated with the music of Puccini. Together in Act 4 they generated musico-dramatic heat.\, Opolais\s instrument may not be perfect, as she would be the first to insist. Shes very sensitive. But the bigger challenge for the soprano is understanding Angelicas psychology and emotional challenge that comes with interpreting it. For the moment, her Boito debut is all-engrossing. If I only focus on singing a specific way, then I will lose out on opportunities of living the character and taking risks in the moment. I can relate to every part of her role and I adore her. What keeps her living? Where does your head go when you perform? A few years ago, Opolais found her approach being increasingly questioned and a lot of advice was given to her to sit back, restrain her instincts, and focus only on singing., I started to lose voice, presence, colors, everything, she revealed. In this honest and humble interview withFinal Note Magazine, Opolais talks jealousy, risk taking and redefining the idea of an operatic singer. In this honest and humble interview with Final Note Magazine, Opolais talks jealousy, risk taking and redefining the idea of an operatic singer. I am ready to give more than I have ever given, she stated. Many would say that this is exactly what sets Opolais apart today. You have to listen to yourself and trust your gut, its all about your intuition. Sometimes it has worked against me, but most of the time its my biggest strength. Every artist needs to go through difficult times. And OperaWire came about as a desire to take in as much of it and allow the passionate fan base access to everything this wondrous art form has to offer on a daily basis. My decision to say yes that morning was an enormous catalyst in my career it changed everything. I dont think Ive ever been so frightened in my life walking to the theatre that morning, it was horrific. In her mid 20s she was enjoying the success many dream about and with which most would be content. In October of 2010, she made a sensational debut at the Bavarian State Opera in Munich in the title role of the new production of Dvorak's Rusalka directed by Martin Kusej. Meanwhile, the soprano, who also started taking better care of her physical health, was rethinking her artistic identity and consulting with the people who she trusted most. I then thought about the good reputation I had at The Met, which I had worked so hard to build. She had to give her daughter a better life, but she also needed to go back to taking the artistic risks she always had. In 2008 she returned to Berlin and the Staatsoper as Polina in Prokofiev\sThe Gambler, with Daniel Barenboim conducting. Follow my adventures on stage, behind the scenes & around the world! Kristine Opolais (Tosca), Marcelo lvarez Mario (Cavaradossi), Marco Vratogna (Scarpia), Alexander Tsymbalyuk (Angelotti), Peter Rose (Il Sagrestano) Berliner Philharmoniker, Philharmonia Chor Wien & Cantus Juvenum Karlsruhe, Sir Simon Rattle. Unfortunately, what Ive learned from this career is that thinking logically will get you nowhere. Some people say that when youre truly in love with someone youre not jealous, but Im the complete opposite. It was the first time she performed the role on stage, despite having a recording released a few years ago. Kristine Opolais is acknowledged as one of the most exciting young sopranos before the public today. Obsession. Opolais maintains this strong relationship with the Met, ever since her debut as Magda in La Rondine in 2013. I remember her face after the production. She found herself increasingly trapped and other challenges were taking away from her being able to sort out her identity as an artist. [2] Opolais started her career as a member of the chorus with Latvian National Opera in 2001, and in 2003 became a soloist. There is something to be said for embracing the vulgar in Puccini. Some people say that when youre truly in love with someone youre not jealous, but Im the complete opposite. Her vocal and emotional stamina were put to the test in her firstButterflyat the Met in April 2014. I had to roll around in water in a very thin nightdress, it was a challenge (laughs). Solo Concert by Kristine Opolais. Coming home from work, she knew immediately if the young Kristne had been singing that day-the hairspray can was no longer where she\d left it and, microphone in hand, Kristne would have been giving her best Madonna routine to an imaginary audience. TELL US ABOUT YOUR APPROACH TO BUILDING A CHARACTER. I need to be dedicated only to my art and at home I cant be because I have to be there for my daughter.. Are o deosebit pasiune pentru operele lui Puccini , iar rolurile principale din opere i-au adus o recunoatere pe scar larg la cele mai importante teatre de oper din lume. Im not saying that Im a killer (laughs), but I understand her passion and envy. I knew I needed to wait a while to be ready for it, she explained. Shes even struggled with physical ailments that had been bothering her for years and were now interfering with her ability to perform. You are a disruptor on the operatic stage, your performances are unapologetic and full of fire. For her to live in suitcases and have no friends and no real home, its cruel. I couldnt remember a single line of text before I went on, I was in complete shock that Id agreed to this. kristine opolais Rate the pronunciation difficulty of kristine opolais 0 /5 Very easy Easy Moderate Difficult Very difficult Pronunciation of kristine opolais with 1 audio pronunciations 0 rating Record the pronunciation of this word in your own voice and play it to listen to how you have pronounced it. 17:55 Affaire conclue : la vie des objets. I just remember I wanted it, and I thought I could do it. What she does with the breath and the voice is like singing yoga. My process is that I imagine that everything is happening to me, Im not Kristine, Im Tosca through my eyes and I feel absolutely everything she has gone through. NEW YORK It wasn't the first time he'd heard her sing. Most importantly, Ive no interest in making beautiful sounds, my voice doesnt drive me in the slightest and its a small part of my expression. "I started to lose voice, presence, colors, everything," she revealed. He also had the opportunity of interviewing numerous Oscar nominees, Golden Globe winners and film industry giants such as Guillermo del Toro, Oscar Isaac and John Leguizamo among others. She's currently starring . at midday for the HD broadcast. 16:15 Affaire conclue, tout le monde a quelque chose vendre. At Thursday night's performance, she seemed to be micromanaging her voice, sacrificing volume and color for a consistent if grainy tone. I am ready to give more than I have ever given, she stated. The star tenor Jonas Kaufmann abruptly withdrew in March. Groggy-voiced, Opolais. After all, this is an artist who decided to drop out of the conservatory despite being told repeatedly that she would never have an opera career if she didnt finish her studies. But she noted that she is too emotional for Suor Angelica, which she finds heavier psychologically than Butterfly and living the part onstage is painful for her to endure (she also noted that the same happened to her with Jenufa and she ultimately decided that she could never give her best in the role and withdrew from a number of planned performances). I am not a theory person-I would never teach, I have no ideas-but I have good ears. . And then the rest, the lower notes, have to come with your body., She noted that she will likely give herself two years to prepare the role, adding that it is her favorite Puccini opera, alongside Tosca.. I could sing three different roles in a week and for this I have to give thanks to God that I survived and was able to finish each performance. The 52-year-old said he spent two weeks working from nine in the morning until nine in the evening to learn the lead male role which he sings opposite Latvian soprano Kristine Opolais. I have a survival instinct that I cant turn off. When I did Butterfly I sang with a Scotto voice-I could imagine her sound and I could produce it. My singing is part of the complete package. Kristine Opolais has first duet with new partner main norman lebrecht November 14, 2019 The soprano, formerly married to Andris Nelsons, has been unexpectedly joined in Dresden by the. For me it was a huge key.\, Latvian success took her to the Berlin Staatsoper, which Opolais counts as the start of her international career. I stepped onto the stage, I opened my mouth and thankfully it came out. Opolais instantly made up for lost time: she listened and learnt, staying on when the chorus wasn\t needed, absorbing everything. Youve managed to step in for performances that very few singers would have been able to do. He sees that they might fare better if he could pawn her off on Geronte (capably sung by English bass Brindley Sherratt ), a wealthy geezer who can keep her in luxury. Dvok's music is of course very close to my heart, but as I continue my journey through different repertoire my voice is changing and this work is no longer a perfect fit for me vocally. But then it was like my mind started talking to me, saying . If I have to say something nasty with bad energy, then that cannot be beautiful. And she is very talented, but she is also very shy.. . Adriana was happy to see me at home with her, but I was depressed, Opolais noted. This is not only about to have strong high Cs and sing loud, this is the easiest part, the harder part is how to create the role of Tosca showing that she is not just a stupid jealous woman, but very powerful passionated and charismatic woman!. The following May saw a thrilling Covent Garden debut inMadama Butterflywith her husband conducting (Opolais and Nelsons had married at the beginning of 2011). Opolais admits that for better or worse, she has always been one to do things her own way. As a commanding Latvian blonde, she seems hardly the ideal physical type to portray a diminutive, 15-year-old geisha. I feel now I must ration the number of these performances, it is so hard. In my mind, as strange as it sounds, Im performing to two big eyes looking at me. I tend to bring more pain in my interpretations of Rusalka I relate to her differently because of my life experiences. Please check if you entered the email address correctly. In the 22-23 season, Jonathan Tetelman makes his eagerly awaited company debut at San Francisco Opera as Alfredo in a new production of Verdi . The new music director Andris Nelsons auditioned her for the debut role of Musetta, quickly followed by solo roles including Li, Cio-Cio-San, Tosca, Tatyana, Lady Macbeth of Mtsensk, and Senta. "People just wanted me to sing and that's it. You have to sing with everything for the reaction of your sons death, then you have the quiet Senza Mamma and then you have to sing with all your voice non-stop until the end. Main navigation Menu. It was spellbinding. On Friday, April 4, Kristine Opolais will sing Puccini's "Madama Butterfly" at the Metropolitan Opera for the first time. And Jenfa I have already said Not again!-her suffering and anguish is too terrible. She was struggling with physical ailments that furthered the challenges of doing what she was advised to do. Opera is thriving. She sang intelligently, finding considerable power in her essentially lyrical voice when required.\, The looks speak for themselves, though photos don\t do justice to her porcelain skin or the Baltic-pale eyes. Today, I walk on stage and I completely transport into the character. Her unapologetic performance style and ability to portray herself through her heroines has her comfortably placed as one of the most sought after international sopranos today. Follow When I put the phone down I spent the first minute thinking it was right to say no. Her voice has taken on a deeper, richer sheen and she always plays her romantic scenes to the hilt. Opolais, pure-toned and powerful, was affected too. As soon as you are limited and someone tries to put you in a box, it can kill you as an artist.. Hearing a concert performance ofLa Bohme, the first opera for Andris Nelsons (to whom she was now engaged) with his City of Birmingham Symphony Orchestra, I was amazed by the grace and vocal poise of her Mim, everything wonderfully expressive and deeply felt. This decision to unwind allowed the soprano to come to terms with a few aspects of her life. Shes the classic representation of the role and she brought so much beauty to that character. Copyright 2023 Kristine Opolais. I think that Puccini might have preferred to see one woman sing three roles in all the operas.. Im no longer me and the audience isnt there. Shes even struggled with physical ailments that had been bothering her for years and were now interfering with her ability to perform. For this reason, she loves rehearsals because she has the time and space to understand the characters emotions and anticipate the pain and suffering that she will have to endure when she gives herself over fully to interpreting the person in the performance. When it did happen I found that I just got lost in the staging, I was very unhappy and I couldnt make it work. I was born in that moment and from then the contracts came flying in. Her conclusion? Photo: Marty Sohl/Metropolitan Opera. David holds a Masters in Media Management from Fordham University. Ive definitely evolved. roh.org.uk/productions/tosca-by-jonathan-kent. Shes struggled with figuring out how to balance being a good mother and good artist. Then she was woken by a 7.30am call from Peter Gelb at the Met with a desperate request: Anita Hartig was ill; would she consider stepping in? And shes not done yet with adding Puccini to her repertory. Now Im strong enough to say no. 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